THE STANFORD ARTS REVIEW

Features Opinions
Perspectives Art

"a sibling named Molly": a conversation with Molly Antopol

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by GILLIE COLLINS

“I hate Highway 17,” Jones Lecturer and former Stegner Fellow Molly Antopol told me on the phone this morning. For the sake of scenery, when our interview began, Antopol was driving up Route 1 instead.

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to discover ice: a memory of “One Hundred Years of Solitude”

 

Part two of StAR’s remembrance of late author Gabriel García Márquez. Read Tulio Ospina’s obituary here.

by ALEC ARCENEAUX

I, unsurprisingly to anyone who knows me, didn’t have an overabundance of friends as a kid. I was fine with that though, because I had books. A shitload of books.

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death of a star: the life of Gabriel García Márquez

by TULIO OSPINA

Like the stars in the sky, bright things can be created by heat and dust. At the beginning of the 20th century, such a star was born in the sweltering and arid pueblo of Aracataca, Colombia. This man was Gabriel García Márquez, one of Latin America’s greatest literary figures and a well-loved writer throughout the world. He passed away on Thursday in Mexico City. He was 87 years old.

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Deborah Treisman and The Art of Editing

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by T. DOYLE

You may not know The New Yorker’s fiction editor by name—and she’s fine with that.

The New Yorker has no masthead. Its website contains biographies of 859 contributing writers, but a list of editorial staff is conspicuously absent. The magazine seems to treasure this secrecy, even if others don’t. Deborah Treisman, who has been editing fiction for The New Yorker for fifteen years, admits that the Internet age has made anonymity more difficult: the magazine’s fiction podcast brings her voice to the web once a month, and, according to the soft-spoken editor, has earned her “the one form of celebrity I have.”

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