by BOJAN SRB
It is extremely easy to slip into the mindset of considering Sammi Cannold (’16) a rising star. We might be lulled into thinking this, but she certainly isn’t. Modest, focused, and driven, she proclaims to approach theatre holistically, never centering a show around any given subset of its team (ahem, actors). Even this hour-long conversation revealed that there is a rabidly creative mind working incessantly beneath her calm comportment –an exquisitely self-reflective directorial psyche responsible for some of Stanford’s most memorable musicals. This includes fall quarter’s most talked about show, Violet, which Cannold staged on a moving bus. At the very least, it is safe to say she is one of the loudest voices in a choir of students claiming that theatre is not dead, and that its stories continue to matter.