THE STANFORD ARTS REVIEW

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Art

Freeks and Geeks: Laura Petree Takes on Stanford Theater

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by KATHARINE SCHWAB

We believe in the freaks, in their voices and stories and visions and spirit.

We believe in art that is fresh and intimate and fearless and weird.

We believe in art that is accessible to everyone.

We believe in art that accesses everyone.

We believe that art can be made with loose change and friends and tough fucking hustler heart.

We believe that without art there is nothing. 

We believe that nothingness is not an option.”

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Stanford Shakespeare Company presents: Love’s Labour’s Lost.

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by CHI LING CHAN 

[A review of the Stanford Shakespeare Co.’s preview on 21 May 2013]

It’s Party at Phi-Psi, Shakespeare-style.

For the next couple nights, the front lawn of Phi Kappa Psi - usually calm and still as a millpond (for real fratboy action, go indoors)- will be turned into a battlefield to a dangerous sport. The game is love. Not the tragic, tear-jerking romeo-and-juliet kind that this company had previously proved so adept in - but the sort that hurtles testosterone-charged teenagers to the ground. No one leaves the field uninjured, nor without hilarious mudslinging. And for the audience, expect an evening clotted with wordplay that will bowl you over.

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Lane Lecture Preview: T.C. Boyle

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by T. DOYLE

This profile is third of three in support of the Lane Lecture Series. T.C. Boyle reads in Cemex Auditorium on Monday, May 6th at 8pm.

“I want to be taken away to a different place every time.”

 -T.C. Boyle, in an interview with Peter Wild

Tom Coraghessan Boyle’s twenty-four books of fiction—fourteen of them novels, ten of them short story collections—include the novel World’s End (1987), winner of the PEN Faulkner Prize; The Tortilla Curtain (1995), a national Book Award Finalist; and “T. C. Boyle Stories” (1998), winner of the PEN Malamud Prize.

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Enter in 2013 SAR’s Room Design Contest!

Interview with Bleached

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by OLLIE KHAKWANI

Kevin Chow, Sophie Mark and I caught up with sisters Jennifer and Jessica ‘Jessie’ Calvin of the band Bleached before their show at EBF on Wednesday 2/20. Even though we only had 15 minutes to chat before our legs fell asleep from sitting on the floor outside a bathroom and the girls had to go and soundcheck, we managed to hear about the symbolism of their last dreams, a riotous show in a fancy Princeton library that involved calling a painting of one of their New Light Presbytarian founders ‘daddy’ all night, and being creeped out by gender-neutral bathrooms. 

Stegner Fellow Anthony Marra

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by ARMINE PILIKIAN

Anthony Marra is a novelist in his final year as Stegner Fellow. He was recently awarded the 2012 Whiting Writers’ Award, an award presented to talented emerging writers. His debut novel A Constellation of Vital Phenomena, set to publish this May, dives deep into the lives of two young doctors searching for peace and redemption during wartime in modern-day Chechnya. His short story “Chechnya,” an excerpt from the novel, won a 2010 Pushcart Prize and the 2010 Narrative Prize. We spoke with Marra via Skype.

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Trash, Fire Escapes, Fire Extinguishers

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by THE STANFORD ARTS REVIEW STAFF

At Wednesday’s meeting in Synergy, members of the Arts Review wrote for ten minutes about some object in the room. Here is what they came up with.

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Among the artifacts to survive the Synergy remodel are a series of plaster reliefs above the fireplaces on the first floor. They are white, neoclassical, and dirty; I know from experience that they aren’t part of the weekly house-clean. In two of them, a group of male figures sing or chant around a common choirbook. In another, a group of women and two simian-looking children strum lyres against their chests. The men have curly hair; everyone is wearing robes.

Over the summer, Housing took down the front and back fire-escapes, and dismantled the second-floor porch. They rearranged the parking lot. They added a barbecue. I can remember nights when travelling musicians would stay at Synergy and pay their way by playing. We would sit out on the fire escape and listen to music and drink from a common bottle as the sun set over campus and the stars came out over the bay.

I wonder, now, why Stanford found the silent reliefs worth keeping, and why they felt that the fire escapes had to go.

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The New and Awful Stanford Font

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by KRISTI BOHL

Last week, Stanford changed its online logo.

Two word version of this post:  just no.

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